The Beasts of Burden have established a new, annual Park music festival. The “Beats of Burden” will take place late in the Summer and all proceeds from the concert will be put toward the support of The Park’s refugees

What a difference a letter makes!

Despite having decided months before that their comeback would include an annual charity concert in aid of The Park’s refugees, the Beasts of Burden found themselves putting off an official announcement. Stopped dead in their tracks by their inability to find an appropriate name for the event, they even considered shelving the project, worthy though they thought it was.

“I understood the problem, but I couldn’t help. They didn’t just want to put their name on it and call it ‘The Annual Beasts of Burden Charity Concert.’ They wanted the name to have more meaning than that,” said the band’s manager, Ignatius Herder.

“So, we had a meeting at The Draft (the band’s pub) to strategize. Alfredo (Ox, the band’s lead singer) started filling out some forms that we needed and then Haimo (Maultier) noticed he’d left a letter out of the word ‘Beasts,’ so it read, ‘Beats of Burden.’ We all laughed, then we looked at each other and we knew we were all thinking the same thing.”

And that is how the annual “Beats of Burden” Music Festival was born.

“It was pure genius and one hundred per cent serendipitous,” laughs Ox. “If I’d been more careful, we’d still be sitting there planning, instead of announcing the biggest charity music festival ever in The Park.”

With almost every Park band and singer signed on to the event, the new festival promises to be something truly out of the ordinary.

“A concert can only do so much, but a festival, with all sorts of different music and events and other things tied in…we can really make a difference to the lives of The Park’s refugees,” says an excited Ox.

The festival, which is scheduled to begin at sunrise on September 14 will go on for three days, with the music expected to last late into each night.

“The way I see it, they’re [the audience] going to have to ask us to go home. We’re not going to want to stop playing. Nobody is,” says Maultier.

Just the facts

What:    The Beats of Burden Music Festival
When:   Every year from now on; September 14-16 inclusive, sunrise to whenever
Where:  At venues across The Park; expect more details in the coming weeks
Why:     To raise funds in aid of The Park’s refugees
Who:     Almost all Park bands and singers; expect some “surprises” as well

While it may be stretching it a bit to suggest that The Park’s Fish population might be in ascendance, it is safe to say that our aquatic kin made their presence felt at this year’s Chitter Radio Literary Awards.

For the first time since the awards were established eighteen years ago (as The Park Literary Awards), almost every category included at least one entry from our Piscine population.

The humour category overflowed with Fishy fun and foolishness, from the darkly humorous, “Roll Over and Stare” to the somewhat frothy “Flash Fish.” While neither netted first prize in the category (that honour went to “Trooping the Collar” by Clement Samuel Tervuren), their nomination served notice to both the judges and The Park’s readers that aquatic humour has evolved.

Indeed, in her book, “Brevity and the Wit of Sole,” which was nominated in both the humour and memoir categories, Evangeline Solea writes with poignancy about her early career in comedy and humour writing and her fight against the “Flatfish stereotypes.”

“Everywhere, the view was that Fish weren’t funny…particularly Flatfish. And, in the first few years of my career, I was baited constantly, but I refused to give up,” she writes in Chapter 3 of her book which she titled, “Swimming Against the Current.”

Solea’s book won in the memoir category and another Piscine author took home a prize, as well. For her critically-acclaimed work, “The View from Under the Plastic Palace,” Barbara Puntius Everetti was declared the Most Promising Newcomer.

Declan Wolfhound’s critically acclaimed “The Upward Curve” took the prize for best novel, while poet Gwendolyn Slang’s “Locomotion” won the poetry award and short story writer Tedesco Tuatara took home the prize for his twentieth collection, “The Long and Short of It.”

As expected, Tab Tricolore’s most recent volume, “The Feral Roots of our Festive Cuisine,” won in the non-fiction category. It was also no surprise that the award for the best political work went to Dante Reginald Kodiak’s controversial best seller, “If We Chain the World: How Fences Alter the Way We See Ourselves and Others.”

Veteran playwright Imogen Aardeekhoorn, author of the highly acclaimed “Mixed Nuts,” received the prize for her most recent work,”Truffles.” She was also honoured for her efforts on behalf of the Park Repertory Theatre.