The Mammalian Daily

Satirical fiction in newspaper form

Lovely to look at - Book by Noreen

OTD in 2013—Music fest under fire for selling products to Humans

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Beats of BurdenwareThe organizers of the first annual Beats of Burden music festival have come under fire for creating and selling products that are specifically geared to Human consumers.

At a rally held this afternoon outside the Ancient, Open-Air Theatre, members of groups that aid The Park’s refugees, as well as Park artists and shopkeepers, marched around the theatre, chanting their disapproval of what they call the festival organizers’ “outrageously offensive” decision.

“This is an incredible betrayal,” said Dorika Pumi, who curated The Park’s first art installation at The Park Museum of Contemporary Art. Entitled, “How Much Was That Doggie in the Window?” the installation has been described as “a living, breathing, depiction” of the horror of enforced domestication of Canines by Humans.

“I can tell you honestly that this is the last thing that we, as an organization, believed would ever happen,” said Vizsla Hoover of Runaway Rovers. Hoover’s group, which was involved in the art installation, assists Canines who have escaped enforced domestication.

“After years of working with refugees who have suffered tremendously at the hands of Humans, I am shocked that they [the festival organizers] saw fit to pander to them just for the sake of money,” she said.

Hoover is one of many in The Park’s immigrant and refugee aid community who is calling for the organizers to cease creating products for and selling those products to Humans.

“I looked at the catalogue and the number of products geared to Humans was almost equal to those for Animals,” Hoover said. “It is appalling.”

For their part, the music festival’s organizers say only that they believe many of the products offered for sale can be used by “any species.”

“We have offered a variety of products for sale in support of The Park’s refugee community. We have tried to be inclusive of all species and we believe we have been successful, in that many of these products have universal appeal. We do not, however, believe it is our job to determine which products should be geared to which species. That would undermine our intent, which is to service the Park community across its entire spectrum,” a festival statement said.

OTD in 2016—WINK: Most controversial opening film ever for PIFF 2016

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Park Interspecial Film FestivalIf controversy is a predictor of success, then award-winning director G.D Zebra’s WINK is set to be the most successful opening film ever at The Park Interspecial Film Festival (PIFF).

PIFF Communications President Leola Ocelot announced the opening choice this morning at a press conference outside the Park Cinema. It didn’t take long for the hoots and howls to begin.

Flanked by the film’s director and one of its stars, Willem Leopard, Ocelot fielded questions from Park media while she ducked stones, sticks, and balls of mud. It is not clear whether these were intended for her or for Zebra and Leopard.

The film, which was produced by Kevin Kodkod (of Black Cats Can’t Jump fame), follows a group of striped and spotted Animals for a period of three years—before, during, and after they have their stripes and spots removed. The film records for “posterity and illumination” the group’s experiences, feelings, and fears—both as Animals of pattern and then as solid-coloureds.

Included in the film are interviews with popular Park musician and anti-stripe-removalist ZEAL, anti-sortitionist and self-described “naturalist,” director Douglas Cheetah, and SCENTIENT Beings composer and father of Reekabilly music Faramund Stinktier, who announced his transition to a Zebra last year.

Ocelot said the October 1 gala screening would be the film’s début.

“There be no sneak preview or even a trailer release,” she said.

The Park Interspecial Film Festival (PIFF) runs from 1-5 October 2016.

OTD in 2015—Charities want say in distribution of funds from Beats of Burden music fest

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Park Charities

LynxLink, CatsCare and Tortoise Immigrant Aid are among charities that want a say in music fest’s funding distribution

Some of The Park’s charities are demanding a say in the distribution of funds raised by the Beats of Burden Musical Festival.

In an open letter published on Monday and addressed to the Beasts of Burden, the festival’s creators and hosts, the presidents of six of the Park’s charities call for a meeting with the Beasts and the festival’s financial managers to discuss fund allocation.

“We wish to congratulate you on the success of the Beats of Burden Musical Festival,” the letter begins. But it goes on to say that now that the festival is well-established and has become a big money-maker, the charities feel it’s time they had some input into how the money is spent.

The three-day-long festival, which is now in its third year, was conceived of by the Beasts as a way to aid The Park’s refugees. In addition to their performances at the festival, the musical group has donated two songs in support of that cause, and other Park musicians and artists have made similar donations. The festival also includes auctions and other events aimed at raising money for our ever-growing refugee community.

While the charities say they appreciate all the fundraising efforts, they believe they know best when it comes to funding allocation.

“Because we are at ground zero when it comes to working with The Park’s refugees, we feel our expertise is invaluable. And because this is a timely matter, we would very much like to offer our assistance at your earliest convenience,” the letter concludes. It is signed by the presidents of LynxLink, Runaway Rovers, Home to Roost, CatsCare, Rodents at Risk, and the Tortoise Immigrant Aid and Mentor Programme.

Although the Beasts of Burden have made no public statement since the letter was published, their manager Ignatius Herder confirmed the group has read it.

OTD in 2014—The Does of Peace: typo in job ad nets Park Police new peacekeeping group

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Does of Peace

Does of Peace will join the Doves this Autumn: Police

First it was the missing letter in “Beasts” that turned the annual charity music festival into the “Beats of Burden.”

Now a typo in the recruitment announcement sent out by the Doves of Peace has gifted the Doves and Park Police with a “welcome addition”: a brand new group of peacekeepers called the Does of Peace.

At a press event this morning, representatives of the Police and the Doves announced the formation of this new group.

“This is another case of serendipity,” said Doves spokesBird Georgina Golub.

“The Does of Peace, whom we hired during our recruitment weekend, are a most welcome addition to our peacekeeping force.”

No one doubts they are welcome now, but that wasn’t quite the case during the last weekend of August.

When Park Police’s wholly autonomous peacekeeping group put out a call for prospective hirees to join the Doves of Peace, the announcement read, instead, “Does of Peace.”

But it seemed that no one noticed, save for the female Deer who swarmed the Ancient Open-Air Theatre in search of employment.

“They arrived with some of the most impressive résumés we’ve ever seen, and a great deal of experience in peacekeeping, both in the outside world and in The Park,” Golub said.

At a loss for what to do, Golub arranged for interviewers to talk to the Does and explain the mix-up.

“But what I noticed, as we turned them away…they weren’t angry. They seemed understanding. Disappointed, but understanding. And, I thought, ‘why am I turning away some of the best peacekeepers I’ve ever met?'”

So, after extensive consultation with Park Police and the Department of Well-Being and Safety, the decision was made to form an adjunct group to help keep peace in The Park.

In addition to their regular duties, Golub says, the Does will take over from the Doves during migration season.

“It works perfectly with our schedule and now that we’ve done it, I don’t know why we didn’t think of it before.”

And, fittingly, the Does of Peace will make their first professional appearance this coming weekend, at the Beats of Burden Music Festival.

OTD in 2015—Park innovators to watch: Bulb Beacon

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Bulb Beacon 2 (1)

Just in time for the Fall planting season, SINCAP Technologies has finally released its much anticipated challenger to GVC De-Techt’s TulipTracker: Bulb Beacon.

More than a decade in the making, according to company president Peppi Orava, this latest app promises to be everything Animals have ever wanted in a bulb detection system.

“We may not have been the first out of the gate, but we’re by far the best,” Orava said in a pre-launch interview last week. “We will be the go-to app for bulbs of every sort in a matter of weeks.”

Consuela Tapir, who runs the tech rumour web site TikTekTok, agrees.

“High tech of this sort isn’t just about invention,” she says matter-of-factly. “It’s about communication and paying attention, in every sense of the word.”

Over the past decade and a half, that’s just what SINCAP has been doing: paying close attention to what Animals have been asking for. This year, they were finally able to offer it—all of it— and wrap it up in a very neat and easy-to-use package.

“We’ve known for years how to detect flower bulbs and we know how to alert Animals to danger. But before Bulb Beacon, no company had put those two things together. That’s what they’ve been working on for so long and now they can offer it to Park residents at a reasonable cost,” Tapir says.

Without giving away any details of the company’s proprietary technology, SINCAP’s Orava rhymes off the app’s unique features, all of which are very impressive. But one of them stands out for her.

“Yes, Bulb Beacon will find every bulb in the area within a few minutes. But our unique silent alarm system will also keep you safe,” she says proudly.

That safety feature is what makes Bulb Beacon shine above all the other bulb detection apps, says TikTekTok’s Tapir.

“If your app does only one thing…such as finding flowers, that’s good. But these days, that’s not good enough. Safety has become a major issue in every part of our lives but perhaps nowhere is it more important to us than when we are out on food-finding missions. SINCAP has found itself in the right place at the right time with this one,” she says.

OTD in 2014—SCENTient Beings to debut “reekabilly” at 2014 Beats of Burden Music Festival

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SCENTient

The SCENTient Beings will debut their new music at next week’s Beats of Burden festival

The popular Park duo SCENTient Beings will debut their new musical style, reekabilly, next month at the Beats of Burden Music Festival.

According to their publicist Hartwig Stinktier, the SCENTients took themselves off the stage last year after coming to the realization that their music required a “complete redo.”

The pair, who released their first recording, Beings and Nuttiness, two years ago got their first big break when the organizers of the Anixi Agrarian Jubilee booked them in 2012 .

“Their careers took off from there,” Stinktier says, “but they were never completely happy with what they were doing. They never felt their style really suited them.”

Enter Damien Skyle, best known as the manager of The Cynics. He convinced the duo to try out a number of different musical styles, including rap, but nothing felt quite right to them until they decided to fuse country music with “parts of their essential selves.”

“When I first heard it, it made me swoon,” Skyle writes on their newest recording. “It was fresh and it was organic, with just a tinge of melancholy. It was so right.”

Stinktier says the pair is “psyched” about debuting their new music at the Beats of Burden festival, since the proceeds go to assisting The Park’s refugee population.

“Their ancestors were refugees and they were treated unkindly by many,” says Stinktier. “The SCENTients have never forgotten that.”

Beats of Burden logoThe Beats of Burden Music Festival will take place in The Park
12-14 September 2014.

OTD in 2007—Let’s Talk Balls! with Bailey: The Bowling Ball

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Today’s ball is the BOWLINGball.

The bowling ball has a long history with Dogs.

Originally designed as a culinary tool, cynologists (those who study Dogs) believe that the bowling ball was the first vessel used by the Cave Dog when he began to mix and cook his morning gruel.

Shards gathered at the rich clay areas of The Park suggest that the first bowling balls were earthenware creations. These balls originally had no holes; later balls discovered near the site were found to have three holes. Scholars postulate that the Cave Dog added holes at a later time in order to allow steam to rise from the ball when it was placed on the open fire.

As Canine cooking methods evolved, Dogs began to favour open pots. Bowling balls were relegated to the shelves as decoration until many centuries later, when they became one of the tools of War Dogs in Human military campaigns.

Military logs displayed in The Park’s Canine Military Museum reveal that the bowling ball was used by the War Dogs as a “paw grenade.” After filling it with gunpowder, the Dogs rolled the ball into enemy territory, where it exploded. So successful was this manoeuvre that it was employed in many wars and came to be known as the “three-hole punch.”

As more sophisticated combat methods replaced the “paw grenade,” the ball’s use became strictly recreational. Since that time, the bowling ball has provided many hours of joy for Dogs everywhere.

Sources: Canine Culinary History, Volume 1; Annals of the Canine Military Museum, “L’enfer, c’est la guerre,” by Denis Bagarre; Various newspaper articles and reports. 

Bailey can be reached at bailey@mammaliandaily.com

OTD in 2007—The Wolves at our door

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Wolves editorialEDITORIAL

Two pieces of news came to our attention this week: the Archons intend to debate The Park’s open immigration policy and Humans have declared open season on the Wolves roaming lands outside the Park.

It is as easy to see the connection between the two as it is to see the likelihood of tragedy as a consequence of both.

Here, in The Park, our policy of open immigration has suffered some damage to its reputation, of late. The withering economy, population growth, food shortages – all these things, and more, have caused some Park Animals to call for a re-thinking of our policy. Why extend to strangers what we worked so hard for, their reasoning goes. Why not keep the good thing that we have to ourselves, and let others fend for themselves?

Why, indeed.

In these difficult times, it is insufficient to respond with the usual arguments: that more Animals from different places make for a richer Park, both culturally and economically, or that The Park has always been a refuge for the unwanted, the hunted, the wounded, the poverty-stricken, the starving, and the scared.

These arguments will not work on Animals who have turned away from The Park’s fundamental principles. We must invoke stronger arguments, lest the pressure on the Archons to enact changes become too much for them to bear.

Fellow citizens, we need only look outside The Park to see the consequences of exclusionary policies. The Human world is built of countries, cities, towns, and villages that would refuse us succour. Is this the model that we wish to emulate?

Hope, decency, concern for our fellow Animal – these are the qualities that separate us from Humans, the qualities that make us distinct. Why should we demean ourselves by hoarding instead of sharing, by shutting our doors, instead of welcoming newcomers, by limiting the numbers of those who might prosper here, unfettered and unafraid?

When the Wolves come knocking on our door this Winter, this is the question we must ask ourselves: Are we Mice or are we Men?

This editorial originally appeared in Issue #119 of The Mammalian Daily.

OTD in 2013—CAA to ISG: “This is not the Dog paddle we asked for!”

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This is not the Dog paddle the CAA asked for

The Canine Athletic Association lost its bid to reinstate the Dog paddle as a competitive swimming stroke, but the ISG 2013 Committee gave the green light to Dog paddling in a canoe across the Tartan Crab Memorial Pond.

The Canine Athletic Association has lost its bid to have the Dog paddle reinstated as a competitive swimming stroke in time for the 2013 Interspecial Summer Games.

In a statement released on Friday, well past the time the ISG 2013 Committee originally said it would announce its decision, the Committee wrote that there had not been enough time to examine all aspects of the issue and to evaluate the consequences of such a “bold decision.”

In an interview this morning on Canine Communications Radio, CAA President Alexandre Caniche called that a “ridiculous excuse.”

“I fail to see what the consequences would be,” he said. “And, truth be told, they’ve had over a year to deliberate. I would hardly call that not enough time. I also take issue with calling the reinstatement of the swimming stroke a ‘bold decision,'” he said.

In addition to the announcement nixing the Dog paddle stroke, the ISG Committee confirmed on Friday that the 2013 Interspecial Summer Games would be the first to include a Canine canoeing event across the Tartan Crab Memorial Pond.

While the CAA has refused to comment officially on that issue, President Caniche had strong words for the ISG Committee members:

“I would ask the Committee a simple question: who is to benefit from keeping the Dog paddle out of the competition? I would cautiously assert that the answer to that question might lead to a place the ISG Committee does not wish us to go.”

OTD in 2016—Introducing PIFF Piffle: relevant irrelevancies about our annual film fest

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Park Interspecial Film FestivalThe Park Interspecial Film Festival (PIFF) is one of our most popular annual events. Yet, very little is known about its inner workings: the behind-the-scenes triumphs and tragedies, the disasters or even near-misses, and the antagonism, jealousy, and pettiness that play a part in The Park’s most cutthroat film industry.

But that is all about to change this year.

As a celebration of the festival’s twelfth year and in recognition of the maturation of the industry over the past decade and the value of film in Park life, The Mammalian Daily has given a new assignment to our official PIFF reporter, Aivis Burunduks. From now until the end of the festival, Burunduks will be reporting from behind the camera, behind the curtain, and behind the press conference. He’ll show you what goes into making a PIFF-worthy film and how that film makes it into the festival. He’ll expose the messy machinations of the industry and introduce you to the fire-breathing producers and the pandering publicists.

So, take a seat while we take you on a whirlwind tour of the second-greatest show in The Park.

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