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OTD in 2015—Alert: Harmonious Hannah missing after tumultuous Sunday in The Park

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Harmonious Hannah: last seen at yesterday's Stereotype Sunday

Harmonious Hannah: last seen at yesterday’s Stereotype Sunday

NEWS ALERT

Harmonious Hannah has gone missing.

The five and a half foot tall stuffed Animal—one half of the “harmonious pair” introduced in July by the Department of Well-Being and Safety (DWBS)—was last seen yesterday during The Park’s weekly Stereotype Sunday, according to a DWBS alert.

The alert, which was issued at six o’clock this morning, said Hannah was last seen at the Ancient, Open-Air Theatre at approximately five o’clock in the afternoon.

“It has been reported by one witness that the last time Hannah was seen was at approximately five o’clock. She was sitting with three young Elephants and a newborn Giraffe,” Cornelius Kakapo, DWBS Director of Public Relations said on Mammalian Daily Radio this morning.

Hannah and her working partner, Harmonious Humphrey, were introduced to Stereotype Sundays in July as part of a DWBS initiative to promote interspecial harmony among The Park’s youth.

Yesterday’s Stereotype Sunday was a particularly tumultuous one, with a raucous crowd and a dazzle of Zebras protesting against SCENTient Beings singer Faramund Stinktier.

“It was so busy, we hardly knew where to look to keep the peace,” said Doves of Peace spokesBird Georgina Golub.

Police say they have no leads as yet but they are appealing to all Park residents to keep their eyes open for Hannah.

“Any Animal who has knowledge of her whereabouts should contact Park Police or the Department of Well-Being and Safety immediately,” said Park Police officer Gareth Shepherd.

The DWBS describes Hannah as “six and a half feet tall, with a black back and a white stomach and chest, deep set eyes, black ears, a black nose, pink footpads and toepads, and a perpetual smile on her face.”

OTD in 2015—Peacekeepers to attend first Stereotype Sunday since Stinktier revelation

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Does of Peace

Unrest assured: Does and Doves of Peace to attend today’s Stereotype Sunday

Recent unrest in The Park’s Zebra community has prompted The Department of Well-Being and Safety (DWBS) to call on the Doves and Does of Peace to attend today’s Stereotype Sunday.

In a media communiqué released this morning, DWBS Director of Public Relations Cornelius Kakapo confirmed the deployment “in anticipation of any disturbance of the peace which the weekly event is intended to foster.”

The unrest began on Wednesday night, soon after the broadcast of the Yannis Tavros show during which SCENTient Beings singer and composer Faramund Stinktier revealed that he believed he was meant to be a Zebra.

A hastily-organized protest that started outside Toro Talk Radio, which broadcasts the Tavros show live, spilled out onto the streets in the early morning hours of Thursday and has continued to grow over the past few days. The protest now includes a makeshift headquarters for organizers Jafari Pundamilia and Elton Zebra outside the Ancient Open-Air Theatre, the site of the weekly Stereotype Sundays.

The protest centres around one issue, according to a statement released by the organizers on Friday morning—that Stinktier “knows nothing of the struggles of the Zebra community and that he has co-opted the experience of thousands of years of Zebra life for his own purposes and to fulfil his own desires.”

Signed by Pundamilia and Zebra on behalf of the worldwide Zebra community, the statement concludes, “We respectfully submit that Faramund Stinktier has committed a crime against The Park’s Zebra community by perpetuating a stereotype and using that stereotype for the betterment of his own life.”

Although Park Police are believed to be on standby this afternoon, Officer Gareth Shepherd told The Mammalian Daily that none of his officers has been formally assigned to the event.

OTD in 2016—The Beats gets bigger: lineup for music festival’s fourth year announced today

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Beats of Burden logo“Bigger” and “better” were the words most often uttered this morning as Beasts of Burden lead singer Alfredo Ox announced the lineup for the fourth annual Beats of Burden Music Festival.

“We know that bigger isn’t always better, but in this case it is,” Ox told the throng of reporters outside The Draft, the pub that he and his Beasts of Burden bandmates own.

“We asked ourselves, what could make this event better? How do we stay true to our purpose without this becoming just another music festival?”

The answer to that question, Ox said, was to bring the musical and other acts closer to that purpose.

“We want The Park’s refugees, who are the festival’s raison d’être, to always be within your sight or hearing. We want you —no matter what you’re listening to, no matter what you’re watching, no matter what you’re eating—to have our refugees front and centre in your mind. Yes, we want you to have a Whale of a time, and that’s no pun. NIML will be at the festival, down by the Tartan Crab Memorial Pond. But we also want you to remember that this is a charity festival, a festival with a purpose, not just a Porpoise,” he said, as the crowd groaned.

As far as the music lineup goes, many of these groups have performed at the festival before: Inktvis and Krake, Eggie and The Pigs, The Feral Four, The Canary Cousins, Banded Brothers, Spontaneous Generation, NIML, rapper Will.o.be., The Cynics, The Tweeters, Les Chiens Débraillés, GHC, Jargohead, Fish Rap, and The DomEstyx.

But there are newcomers, such as Belles and Whistles and Memes of Production and up-and-comers, including Erdferkel!, plucked just past Friday from the Beats in the Bar (formerly the Open Mic at The Draft), as well as last year’s pick, The Crumb Seekers.

Even bigger musical news comes in the form of Last Stand, the band whose members all hail from endangered species, and ZEAL, who begged off last year’s Celebration of the Winter Solstice because he refused to play at the same event as the SCENTient Beings’ Faramund Stinktier. The Beats will feature both, though they’ll play at different venues.

As well, Ox said he personally invited The Endeka Elephant Band, whose bassist, Zuberi Tembo, was killed this summer on a trip home to Africa. The band agreed to play on two of the three days of the festival, and Ox said he took that as a compliment.

“Zuberi Tembo was a refugee and I think the band wanted to honour that,” he said.

This year’s festival will introduce a new category, Spoken Word Extemporaneous (SWE), which Ox said he’s particularly excited about. And the comedy portion will feature Dalmanik and Woodruff Dalmatio, with a few “surprises” in store for Saturday.

Another first for the festival is the Rodent gymnastic troupe, “Out of the Box.” Ox was also proud to announce that the organizers of the annual Park ART Walk had agreed to resurrect their 2014 exhibit, “From Fear to Freedom,” which highlights the art of The Park’s refugees.

As usual, the Beasts of Burden will take the stage every day and night and they’ll be acting as auctioneers during Saturday night’s gala auction.

With all that, and the “long list of surprises” that Ox boasted about, it’s hard not to believe that this bigger Beats will be even better.

The Beats of Burden Music Festival will take place at venues throughout The Park 16-18 September 2016.

All proceeds from the festival go toward assisting The Park’s refugees.

OTD in 2013—Music fest under fire for selling products to Humans

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Beats of BurdenwareThe organizers of the first annual Beats of Burden music festival have come under fire for creating and selling products that are specifically geared to Human consumers.

At a rally held this afternoon outside the Ancient, Open-Air Theatre, members of groups that aid The Park’s refugees, as well as Park artists and shopkeepers, marched around the theatre, chanting their disapproval of what they call the festival organizers’ “outrageously offensive” decision.

“This is an incredible betrayal,” said Dorika Pumi, who curated The Park’s first art installation at The Park Museum of Contemporary Art. Entitled, “How Much Was That Doggie in the Window?” the installation has been described as “a living, breathing, depiction” of the horror of enforced domestication of Canines by Humans.

“I can tell you honestly that this is the last thing that we, as an organization, believed would ever happen,” said Vizsla Hoover of Runaway Rovers. Hoover’s group, which was involved in the art installation, assists Canines who have escaped enforced domestication.

“After years of working with refugees who have suffered tremendously at the hands of Humans, I am shocked that they [the festival organizers] saw fit to pander to them just for the sake of money,” she said.

Hoover is one of many in The Park’s immigrant and refugee aid community who is calling for the organizers to cease creating products for and selling those products to Humans.

“I looked at the catalogue and the number of products geared to Humans was almost equal to those for Animals,” Hoover said. “It is appalling.”

For their part, the music festival’s organizers say only that they believe many of the products offered for sale can be used by “any species.”

“We have offered a variety of products for sale in support of The Park’s refugee community. We have tried to be inclusive of all species and we believe we have been successful, in that many of these products have universal appeal. We do not, however, believe it is our job to determine which products should be geared to which species. That would undermine our intent, which is to service the Park community across its entire spectrum,” a festival statement said.

OTD in 2016—WINK: Most controversial opening film ever for PIFF 2016

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Park Interspecial Film FestivalIf controversy is a predictor of success, then award-winning director G.D Zebra’s WINK is set to be the most successful opening film ever at The Park Interspecial Film Festival (PIFF).

PIFF Communications President Leola Ocelot announced the opening choice this morning at a press conference outside the Park Cinema. It didn’t take long for the hoots and howls to begin.

Flanked by the film’s director and one of its stars, Willem Leopard, Ocelot fielded questions from Park media while she ducked stones, sticks, and balls of mud. It is not clear whether these were intended for her or for Zebra and Leopard.

The film, which was produced by Kevin Kodkod (of Black Cats Can’t Jump fame), follows a group of striped and spotted Animals for a period of three years—before, during, and after they have their stripes and spots removed. The film records for “posterity and illumination” the group’s experiences, feelings, and fears—both as Animals of pattern and then as solid-coloureds.

Included in the film are interviews with popular Park musician and anti-stripe-removalist ZEAL, anti-sortitionist and self-described “naturalist,” director Douglas Cheetah, and SCENTIENT Beings composer and father of Reekabilly music Faramund Stinktier, who announced his transition to a Zebra last year.

Ocelot said the October 1 gala screening would be the film’s début.

“There be no sneak preview or even a trailer release,” she said.

The Park Interspecial Film Festival (PIFF) runs from 1-5 October 2016.

OTD in 2015—Charities want say in distribution of funds from Beats of Burden music fest

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Park Charities

LynxLink, CatsCare and Tortoise Immigrant Aid are among charities that want a say in music fest’s funding distribution

Some of The Park’s charities are demanding a say in the distribution of funds raised by the Beats of Burden Musical Festival.

In an open letter published on Monday and addressed to the Beasts of Burden, the festival’s creators and hosts, the presidents of six of the Park’s charities call for a meeting with the Beasts and the festival’s financial managers to discuss fund allocation.

“We wish to congratulate you on the success of the Beats of Burden Musical Festival,” the letter begins. But it goes on to say that now that the festival is well-established and has become a big money-maker, the charities feel it’s time they had some input into how the money is spent.

The three-day-long festival, which is now in its third year, was conceived of by the Beasts as a way to aid The Park’s refugees. In addition to their performances at the festival, the musical group has donated two songs in support of that cause, and other Park musicians and artists have made similar donations. The festival also includes auctions and other events aimed at raising money for our ever-growing refugee community.

While the charities say they appreciate all the fundraising efforts, they believe they know best when it comes to funding allocation.

“Because we are at ground zero when it comes to working with The Park’s refugees, we feel our expertise is invaluable. And because this is a timely matter, we would very much like to offer our assistance at your earliest convenience,” the letter concludes. It is signed by the presidents of LynxLink, Runaway Rovers, Home to Roost, CatsCare, Rodents at Risk, and the Tortoise Immigrant Aid and Mentor Programme.

Although the Beasts of Burden have made no public statement since the letter was published, their manager Ignatius Herder confirmed the group has read it.

OTD in 2014—The Does of Peace: typo in job ad nets Park Police new peacekeeping group

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Does of Peace

Does of Peace will join the Doves this Autumn: Police

First it was the missing letter in “Beasts” that turned the annual charity music festival into the “Beats of Burden.”

Now a typo in the recruitment announcement sent out by the Doves of Peace has gifted the Doves and Park Police with a “welcome addition”: a brand new group of peacekeepers called the Does of Peace.

At a press event this morning, representatives of the Police and the Doves announced the formation of this new group.

“This is another case of serendipity,” said Doves spokesBird Georgina Golub.

“The Does of Peace, whom we hired during our recruitment weekend, are a most welcome addition to our peacekeeping force.”

No one doubts they are welcome now, but that wasn’t quite the case during the last weekend of August.

When Park Police’s wholly autonomous peacekeeping group put out a call for prospective hirees to join the Doves of Peace, the announcement read, instead, “Does of Peace.”

But it seemed that no one noticed, save for the female Deer who swarmed the Ancient Open-Air Theatre in search of employment.

“They arrived with some of the most impressive résumés we’ve ever seen, and a great deal of experience in peacekeeping, both in the outside world and in The Park,” Golub said.

At a loss for what to do, Golub arranged for interviewers to talk to the Does and explain the mix-up.

“But what I noticed, as we turned them away…they weren’t angry. They seemed understanding. Disappointed, but understanding. And, I thought, ‘why am I turning away some of the best peacekeepers I’ve ever met?'”

So, after extensive consultation with Park Police and the Department of Well-Being and Safety, the decision was made to form an adjunct group to help keep peace in The Park.

In addition to their regular duties, Golub says, the Does will take over from the Doves during migration season.

“It works perfectly with our schedule and now that we’ve done it, I don’t know why we didn’t think of it before.”

And, fittingly, the Does of Peace will make their first professional appearance this coming weekend, at the Beats of Burden Music Festival.

OTD in 2015—Park innovators to watch: Bulb Beacon

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Bulb Beacon 2 (1)

Just in time for the Fall planting season, SINCAP Technologies has finally released its much anticipated challenger to GVC De-Techt’s TulipTracker: Bulb Beacon.

More than a decade in the making, according to company president Peppi Orava, this latest app promises to be everything Animals have ever wanted in a bulb detection system.

“We may not have been the first out of the gate, but we’re by far the best,” Orava said in a pre-launch interview last week. “We will be the go-to app for bulbs of every sort in a matter of weeks.”

Consuela Tapir, who runs the tech rumour web site TikTekTok, agrees.

“High tech of this sort isn’t just about invention,” she says matter-of-factly. “It’s about communication and paying attention, in every sense of the word.”

Over the past decade and a half, that’s just what SINCAP has been doing: paying close attention to what Animals have been asking for. This year, they were finally able to offer it—all of it— and wrap it up in a very neat and easy-to-use package.

“We’ve known for years how to detect flower bulbs and we know how to alert Animals to danger. But before Bulb Beacon, no company had put those two things together. That’s what they’ve been working on for so long and now they can offer it to Park residents at a reasonable cost,” Tapir says.

Without giving away any details of the company’s proprietary technology, SINCAP’s Orava rhymes off the app’s unique features, all of which are very impressive. But one of them stands out for her.

“Yes, Bulb Beacon will find every bulb in the area within a few minutes. But our unique silent alarm system will also keep you safe,” she says proudly.

That safety feature is what makes Bulb Beacon shine above all the other bulb detection apps, says TikTekTok’s Tapir.

“If your app does only one thing…such as finding flowers, that’s good. But these days, that’s not good enough. Safety has become a major issue in every part of our lives but perhaps nowhere is it more important to us than when we are out on food-finding missions. SINCAP has found itself in the right place at the right time with this one,” she says.

OTD in 2014—SCENTient Beings to debut “reekabilly” at 2014 Beats of Burden Music Festival

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SCENTient

The SCENTient Beings will debut their new music at next week’s Beats of Burden festival

The popular Park duo SCENTient Beings will debut their new musical style, reekabilly, next month at the Beats of Burden Music Festival.

According to their publicist Hartwig Stinktier, the SCENTients took themselves off the stage last year after coming to the realization that their music required a “complete redo.”

The pair, who released their first recording, Beings and Nuttiness, two years ago got their first big break when the organizers of the Anixi Agrarian Jubilee booked them in 2012 .

“Their careers took off from there,” Stinktier says, “but they were never completely happy with what they were doing. They never felt their style really suited them.”

Enter Damien Skyle, best known as the manager of The Cynics. He convinced the duo to try out a number of different musical styles, including rap, but nothing felt quite right to them until they decided to fuse country music with “parts of their essential selves.”

“When I first heard it, it made me swoon,” Skyle writes on their newest recording. “It was fresh and it was organic, with just a tinge of melancholy. It was so right.”

Stinktier says the pair is “psyched” about debuting their new music at the Beats of Burden festival, since the proceeds go to assisting The Park’s refugee population.

“Their ancestors were refugees and they were treated unkindly by many,” says Stinktier. “The SCENTients have never forgotten that.”

Beats of Burden logoThe Beats of Burden Music Festival will take place in The Park
12-14 September 2014.

OTD in 2007—Let’s Talk Balls! with Bailey: The Bowling Ball

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Today’s ball is the BOWLINGball.

The bowling ball has a long history with Dogs.

Originally designed as a culinary tool, cynologists (those who study Dogs) believe that the bowling ball was the first vessel used by the Cave Dog when he began to mix and cook his morning gruel.

Shards gathered at the rich clay areas of The Park suggest that the first bowling balls were earthenware creations. These balls originally had no holes; later balls discovered near the site were found to have three holes. Scholars postulate that the Cave Dog added holes at a later time in order to allow steam to rise from the ball when it was placed on the open fire.

As Canine cooking methods evolved, Dogs began to favour open pots. Bowling balls were relegated to the shelves as decoration until many centuries later, when they became one of the tools of War Dogs in Human military campaigns.

Military logs displayed in The Park’s Canine Military Museum reveal that the bowling ball was used by the War Dogs as a “paw grenade.” After filling it with gunpowder, the Dogs rolled the ball into enemy territory, where it exploded. So successful was this manoeuvre that it was employed in many wars and came to be known as the “three-hole punch.”

As more sophisticated combat methods replaced the “paw grenade,” the ball’s use became strictly recreational. Since that time, the bowling ball has provided many hours of joy for Dogs everywhere.

Sources: Canine Culinary History, Volume 1; Annals of the Canine Military Museum, “L’enfer, c’est la guerre,” by Denis Bagarre; Various newspaper articles and reports. 

Bailey can be reached at bailey@mammaliandaily.com

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